The Scream The Scream exists in four versions: There are also several lithographs of The Scream and later.
Lit by a full moon, couples engage in an energetic dance. The phallic reflection of the moonlight in the water gives the scene a mood of sexuality.
In the center of the painting, a man in a dark suit and a woman in a red dress are sunk within each other. Both of them are in the prime of their lives. His eyes are closed; the two seem totally self-absorbed and oblivious of others.
On the left side a young girl in a white dress and a smile on her face enters the scene. Her hand reaches out towards a flower in front of her. On the opposite side, an old woman stands in a black dress.
She watches the dance of the center couple with a bitter facial expression, her hands folded in Edvard munch the dance of life essay. Besides the use of color, Munch deepens the differences of the three females by the different use of lines that outline the figures.
The adolescent girl on the left is enclosed with sensitive, vibrant strokes. A "swathing, ingestive" line coils around the center female "with her evident appetite for life" Eggum, Edvard Munch In contras, the dark woman on the right, who appears to have withdrawn from the dance of life, is outlined by angular and rigid lines Eggum, Edvard Munch The Dance of Life belongs to a series called the Frieze of Life.
This frieze was intended as a series of freely adjoining pictures, which would give a clear view of life and the situation of modern man. The three major themes of the Frieze of Life, love, anxiety and death are clearly expressed in The Dance of Life.
Thus, this painting can be seen as one of the centerpieces in the series. The transition of the female figures from adolescence to sexual maturity to old age gives argument that the painting deals with the everlasting cycle of life.
In this "bright summer night", Munch writes, "life and death, day and night go hand in hand" Messer Indeed, death is the birth of life, and Munch realizes this. His particular interest lies in the subject of women as a mystery to man.
The differing aspects of the female psyche are clearly expressed in his painting Woman in Three Stages c.
The similarities between the two paintings are obvious. In Woman in Three Stages Munch also displays three women of different ages. A virgin figure with her "innocent phantasies of adolescent" Edvard Munch 84 gazes out to the sea.
In the middle stands a physical mature woman, naked with her legs spread, who looks directly at the viewer.
Her "seductive and provocative gaze is of such irresistible attraction that it guarantees the eternity of the human race" Edvard Munch On the right side is a darkly dressed woman, hardly visible, with a pale face that bears witness to death. Woman at one and the same time is a saint, a whore, and an unhappy person abandoned" Heller It is this "many-sidedness" of women that also finds a clear expression in The Dance of Life.
Comparing The Dance of Life to other paintings of the Frieze of Life, one comes to notice that this painting also deals with, as Munch put it, "the battle between man and woman that is called love". In a story like way, these paintings display the process of love, "that moves from initial flirtations, to the ecstasies of physical love consummation, then to the anxieties of jealousy and rejection" Heller Thus, the young and innocent girl in white becomes the symbol of the joyous and lighthearted beginning of a relationship between man and woman.
The center couple displays the immense power of love over two beings. At this point, the couple seems unable to notice anything around them.
At the end, however, we see the old, disillusioned woman as a symbol for the fleetingness of feelings and for inevitable separation.
Finally, one can find a very personal interpretation for The Dance of Life. Heiberg", provided him with his own experience of the process of love.Critical Analysis on The Scream by Edvard Munch Edvard Munch was born on December 12 in Loten Norway. He moved to Christiana, and spent most of his childhood there.
Essay about Edvard Munch: Perception of Anxiety - Introduction How did Edvard Munch perceive anxiety. Edvard Munch, a famous world known painter from Norway, was able to express his suppressed feelings of fear and anxiety onto a canvas with an ability that both amazed and scared the people of the world.
Edvard Munch Biography - The painter Edvard Munch was tormented man, who had a very gloomy childhood.
"His private life as a grown up was a mess, but he managed to express all his anguish through his creative and disquieting paintings" (Belmont 1). Edvard Munch Biography Edvard Munch was born in Norway in and, with the notable exception of the two decades from to spent traveling, studying, working and exhibiting in France and Germany, he lived there until his death in Edvard Munch Biography - The painter Edvard Munch was tormented man, who had a very gloomy childhood.
"His private life as a grown up was a mess, but he managed to express all his anguish through his creative and disquieting paintings" (Belmont 1).
One of Edvard Munch’s chief strengths as an artist lies in his ability to delineate and convey psychological processes. He may not be an exceptional draftsman or colorist, but he knows how to construct a composition so as to communicate to the viewers on a very basic emotional level.